An uncomfortable friend request.

The peculiarities of social networking sites being what they are, I shouldn’t have been surprised when—in one of those very Facebook sort of ways—it turned out to be ‘throwback day’ or ’ old school’ day or some such thing which translated into ‘post an old picture of yourself as a profile picture.’ On this day I was greeted in my news feed by the High School graduation photo of the youngest son of my own abuser. When the friend request originally arrived,  I did have to weigh this particular single-degree-of-separation connection, yet I accepted after considering it for only a few moments. After all I hoped to have ‘the conversation’ with him at some point in the future.

Having already returned to the house where these abuses took place for the interview that kicked off production of Coached into Silence, I fancied myself difficult to unnerve, yet that picture hit me hard.

Prior to that interview, I had not stepped foot in 822 for at least a dozen years. As I toured the house, camera in hand, my visceral reaction to the sights and smells and the memories that these brought back surprisingly took a back seat to the new information that I was discovering. As I tried to calmly process both separate streams of stimuli, a framed photograph froze me in place.

On a bedside table stood a cardboard frame holding my own high school graduation photo, nearly two decades old. More disturbing than seeing my younger face two feet from a where a pedophile slept, was the revelation that the photograph was not alone. Behind mine, in layers, were other photographs of yet another boy, and another. One proud but distant at his Confirmation. Another with a forced smile & dead eyes in a school photo. Another boy’s graduation photo bore witness from high atop the dresser. The collection was a collision of Norman Rockwell and Norman Bates. Pedophiles; unable to connect in any real way, insteadcollect. Trophies. Milestone moments; graduations & confirmations, captured in pictures while boys were captured in the teeth of this meticulously laid trap. Just as Norman Bates added the Crane, Marion, to his collection of stuffed birds, the photographs of these boys were the collected notches on the belt of a serial child sexual molester. Dead, still life. Never aging, frozen forever at precisely the age he wanted us. The burden of what my own eyes in that photograph may have seen in all of these years will always weigh heavily on me. Framed, I was right there, bearing photographic witness to countless crimes against the other boys in his collection of “proteges.”

Seeing the graduation photo of his youngest son online today had me mourning something altogether different as I remembered all of the images that I saw in that house. It had me thinking of what was nowhere to be seen in that house. There were no pictures of his own sons anywhere. This man, unable to connect to his own sons, collected other people’s sons. Incapable of fulfilling his most important role in life as a father; he role-played as (in his own words) “a father figure in disguise.” Fatherhood, in it’s only pure & genuine form was available to him; a rare thing in his life that was not fully taken advantage of. We boys who crossed his path suffered for this, but we are not the only ones.

Upon seeing the graduation photograph of his youngest son, a photograph that has no place in the home where that young man grew up, a wholly new reaction surfaced:

Compassion for the son robbed by circumstance of the only father he will ever have.

Travel team: Larchmont, NY

I didn’t know what to expect, or when to expect it. I thought I might read while I waited so I brought a book with me, only two chapters remaining. I planned to write more, so thank your lucky stars, this entry could have been several thousand words longer. Instead, the interaction of the two characters in the picture above provided the entertainment.

So I sat nursing my overpriced iced coffee, allowing myself the rare luxury of distraction courtesy of the two men performing their homage to silent era cinematic comedy teams, and waited for the arrival of the man I came here to meet. I had never in my life paid for an iced coffee and that minor beverage milestone wouldn’t be my last first on this summer Sunday. This man and I had never met, but I was aware that he had done enough online research to have a clue as to who he was looking for. I made sure to wear the glasses that I only wear for driving (and profile pictures, apparently). As for who I would be looking for, I would know his face as quickly as tens of millions of others would. Instantly.

I sat by the floor-to-ceiling front window to catch him, all the while wondering if I would be the first person to recognize him. A figure who at one time owned the world stage, had traveled four hours to this meeting. His last update, via text message, had him passing Greenwich. Twenty-three minutes away, according to his GPS. Twenty-three more minutes of stretching the hour-old tall/small iced coffee to justify my presence in this place.

Though we had not met, this man & I are members of the same fraternity. Not a fraternity of the sort that I avoided like each and every one of Moses’ ten plagues in my university years. Not the sort that uses the Greek alphabet to signify membership, but a fraternity nonetheless. Rather than a foreign alphabet, this group is most often represented by no letters, no words, no sound at all that might betray a brother’s membership. This is a non-exclusive club, yet at one time or another most of us have believed that we were it’s sole member. Statistics will say that at the very least, one in six men wear our colors. More often than not, our colors have been camouflage. A uniform that some of us have worn forever, to pass, to blend, to hide. Half of us have been—or will be—laid to rest in this suit, having worn it from the moment of indoctrination until the day all of our remaining moments have run their course. Some among us will see that cessation as the closest thing to mercy they have known in several decades.

This man, with his place in athletic history secured, and I—absolutely nobody of note—have a shorthand before we speak, and a code when we do. We finish each other’s sentences in a common language. Our plan to meet for forty-five minutes becomes a few hours. I imagine that conscripted soldiers relate in just the same way. What few words are needed express common thoughts, relate common experiences, no matter how divergent the backgrounds. What has separated us from the rest of the world is exactly what bonds us to each other immediately. A characteristic that those nearest and dearest to us have only ever experienced as ‘the distance’, we would call simply: ‘knowing’, if we needed to call it anything at all. We don’t.

What may be walls in our closest relationships function as bridges to complete strangers. The hope is that, eventually, these structures may be transformed into gateways through which re-entry into the world of the living is possible. In the instant of knowing that you are not alone, there is some measure of comfort, of validation. It is not just you. You are not insane. It was not your fault. It is as if you have had a recurring nightmare for years—for decades—and someone, at the benighted nadir of a nightmare all their own, has heard your silent scream. I hear you, brother.

The transformative power of that…

This secret society has no secret handshake, and it is part of my work to make it a secret no more. Handshakes are for one’s who don’t know. We know all too well, and through that, we know each other better than most. Handshake? Forget handshakes. We, who can shy away from human contact or seek it with compulsive destructiveness, can greet our brothers with a hug, damn it. We get it. We understand. We know.

Mrs. Clark

I was unsure whether I should be here today or not, but of this I am absolutely certain: this woman should not be here for me to marvel at.

The courage that is on display should never have needed to be exhibited. I shouldn’t be able to pick her out from among the dozens of others who are milling about this hallway. Yet I recognize her instantly, even with my bad eyes.  I recognize her from that very picture in thenewspaper that you see above.

We have never met before this moment, yet she offers and accepts a hug from the stranger who is typing this to you right now. A hug that reminded me just how deceiving looks can be. The photograph from the newspaper, filtered through my own biases and sympathies, left me with the impression of a wounded bird, delicate. To be near her is to experience an altogether different energy.  You are in proximity to electrified high tension wire. Demonstrably unbreakable, for life has tried and failed.

That I should be here telling her that her strength is an inspiration to so many feels almost like trespassing, though this story has been quite public for nearly two years. Worst of all, I am here offering condolences for her loss. Her son. Hushed tones should not be needed to say his name, if someone—even a well-intentioned fool like me—dares to say it at all. Andrew.

Andrew should be here.

Bullshit. Andrew should be anywhere but here, in this crowded hallway of a generic municipal building, waiting for the bailiff to open those courtroom doors. Andrew should be somewhere else.

But Andrew is nowhere else.

He should be doing what 20 year old young men do. Everything or nothing at all. But he never saw 20. Or 19. His 18th year was too much to endure.

One man’s manipulations created Andrew Clark Jr.‘s hell. Calculated and incremental. One comment, one text message, one instant message at a time. One payment for one piece of information at a time. Perversion masquerading as ‘help’. ‘Advice’, one guy to another, corrupted and transformed into paying boys cold cash payments to fuel his fantasies.

I imagine this man, Coach Bart, walking the halls of St. Rose High School with a pocket full of sweaty five dollar bills. Peeling off one paper portrait of a mortified Abraham Lincoln at a time, peeling away the last shreds of his own decency, while pressuring young men to give him what he wanted.

This day, imagining this ‘man’ would be as close as I would get. This Coach, favorite son of Freehold, New Jersey, best man at the wedding of the Mayor himself. Bartholomew McInerny, who spent 13 years exploiting his access to children for his own sordid purposes. A bastardization of the word mentor. This man, on this day, could not be bothered to show up at his own sentencing, facing ten separate ten-year charges of child endangerment. With all mention of ‘Victim No. 13’, Andrew Clark, whitewashed from the proceedings, those charges do not come close to summarizing the damage done, yet on these minimal charges; Bart McInerney is both found guilty, and nowhere to be found.

Why should I waste my mental energy imagining this man ,who on this day wouldn’t make the 5 minute trip from his home to court? A man who would not show up today to face the facts, face the judge, face these families? To hear what can pass as earthly justice served?  My energy serves me better elsewhere.

Instead I imagine Andrew, based only on the pictures I have seen, the articles I have read, the descriptions I’ve heard, and I feel the loss all the more. Looking at Mrs. Clark, one is aware that the true measure of loss is unknowable by anyone but her and family. The loss that I feel is as a member of family of humanity. I know that we have been denied Andrew’s incredible light, and his limitless potential by the overwhelming darkness that Bart McInereny brought into his life. With Mrs. Clark sitting to my right on the front row bench she has occupied throughout the entire trial, I imagine that she has both of her sons with her. She gave birth to, nurtured, protected and loved two sons, to the greatest extent of human capability. One of her sons played for Coach Bart and now the number of her children that she will see grow to adulthood has been halved. I imagine Andrew Clark, sitting beside his mother and brother, and I shouldn’t have to. I shouldn’t even know this name but I do, and now so do you.

His is a name I will never forget for as long as I live.

The Letter

When I decided to reach out to my former coach, having had no contact with him for over a dozen years… I sent the following brief letter:

“Dear _____

I am a key contributor on a documentary project centered around mentors and influential male role models over generations. The project is about the men who made us what we are today.

I would love to interview you on camera about your influences and role models growing up, the lessons that you learned, and how you passed those lessons on to future generations.

It would probably only take an hour in total, and there would only be a crew of one: me. You have obviously been one of the most important male influences in my life, and taught many lessons in hockey and in life in general.

If it sounds interesting and you would be willing to be involved, please call me at your earliest convenience so we can set up a time to sit down and do it. Within the next two weeks would be ideal to meet deadlines, but there is some flexibility.”

Three days later my phone rang, and caller ID informed me that the response to my letter had come. I could not bring myself to pick it up.

Voicemail received.

“Chris! It’s ____! So good to hear from you my buddy. I’m so proud of what you are doing. Thank you for saying all those nice things. I’d be honored to do the interview! Gimme a call alright? We can pick a day to do it soon. Thank you again. Okay. Talk to you soon ______.”

Why that last BLANK, you may wonder?

Because that was when he addressed me, on my voicemail…by the name of a different boy.

I had been unsure if I would actually follow through until I heard that name.

Before there was a Coached into Silence, there was this Untitled Mentor Project. Before there was a professional crew, I went in alone.

Armed with 2 cameras and the truth.

Death and the Maiden

Sixteen years ago, I bought a marble notebook, which I promptly filled. What was contained in those pages, were notes for something called ‘Adam’s Big Day!’ and it felt like a suicide note.

Those scribbled notes would, over several years, evolve into a screenplay called Apostrophe. What I must write about tonight is  a particular moment that has been present in every incarnation, every draft. In that story there is a beat before a meticulously planned confrontation and videotaped interrogation of an abuser by the abused, that had been years in the making. That moment has always been labeled: Death & the Maiden. In the script, before he knocks on the door of the perpetrator of the crimes that he endured, he steels himself with a deep breath and mutters the words aloud to the only person who knows,  cares or can hear “Death & the Maiden.”

In 1998, when I was 23 years old, I attended a screening at New York’s Town Hall of Les Miserables, the latest adaptation for the screen by the writer Rafael Yglesias. When the film and the Q & A session had finished, I made my way to the front. I heard myself saying “Thank you for being here tonight, thank you for Fearless, and thank you for Death & the Maiden.” The entire interaction was perhaps three seconds long, but it felt important for me to let this writer know that his work, both original and adapted, was important to me as well. I was in NYU at the time and just finding my voice in all possible ways. As a writer, as a fledgling filmmaker, as a human. Mr. Yglesias received the words kindly and I left it at that. I said all that I was capable of saying in that moment.

Death and the Maiden; Schubert to Dorfman to Yglesias, stayed with me. I had daydreamed about getting my answers, about saying what I needed to say and reversing the old power imbalance  during a filmed interview with one criminal in particular for fifteen years.

Tonight, that daydream became a reality. The non sequitur below, a decade and a half in the making, understandably passed without comment.

Via Twitter rather than on an aircraft carrier: A monumental mission accomplished moment.

Someday I will write tens of thousands of words about this experience. Minimal amounts of that, I’m sure I will share here. Forgive the disjointed nature of this. For once, I allow myself that.

Tonight I will breath.

Just as the unfinished, desperate purge & plea of Adam’s Big Day was the germ of the script Apostrophe, the embryonic Untitled Mentor Project finally grew up tonight to be exactly what it should be: the feature documentary Coached into Silence.

What was once my thinly veiled fiction about shame & vengeance, is now in fact about only the truth and how that truth can serve a greater good.

Life imitating art? Art imitating life? Artless self-fulfilling prophecy/collision of reel & real life?

It was preparation by pre-visualization. It was practicing how you intend to play.

Just like my coach taught me.